Visual Effects Jury
- D&AD Awards 2024
Images, film or text manipulated or enhanced through digital, practical and in-camera effects. For commercial design, gaming and advertising projects.
Judges will prioritise craft over idea in this category.
Subcategories
You can enter your work in the following subcategories.
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3101 - Colour Grading
The enhancement and alteration of colour in moving image work, including colour correction and artistic colour effects. -
3102 - Compositing
The combination of at least two visual elements, taken from separate sources and integrated into the same frame. -
3103 - Computer-Generated
Visual effects created and rendered with the help of computer software, including real-time rendering. Creature or character animation should be entered into the Animation category. -
3104 - Practical Effects
Effects created on-set such as explosions, pyrotechnics, atmospheric effects, prosthetics, scale models and mechanised props/set design. Includes in-camera effects that are achieved by manipulating the camera or its parts. -
3105 - Use of AI
Visual effects created with the use of AI technologies, for example neural rendering and deepfakes. -
3106 - Use of XR
The use of immersive technologies to extend reality and change the way brands interact with consumers. Includes the use of AR, VR or MR to blend real and virtual worlds, and applications across web 3.0 and the metaverse. -
3107 - Creative Use of Budget
Work that brings a creative idea to life, where the output exceeds expectations set by a low budget. Includes pro bono work. You will need to state the production budget and justify your reasons for entering here. If the work was done pro bono, you will need to state the total spend.
Colour Grading (6)
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Burger King – Whopper Chicken Royale
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
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Channel 4 Idents
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
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Gorilla
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
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Jeremy Allen White – Calvin Klein
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
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Lil Yachty – Department for Mental Tranquility
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
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UniCredit – Potential Unlocked
- Visual Effects
- Visual Effects
- Colour Grading
- 2024
Compositing (6)
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Channel 4 Idents
- Visual Effects
- Visual Effects
- Compositing
- 2024
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AirPods – Quiet The Noise
- Visual Effects
- Visual Effects
- Compositing
- 2024
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Starfield – Wild Imagination
- Visual Effects
- Visual Effects
- Compositing
- 2024
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WoMen's Football
- Visual Effects
- Visual Effects
- Compositing
- 2024
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A Train of Memories
- Visual Effects
- Visual Effects
- Compositing
- 2024
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Atomic
- Visual Effects
- Visual Effects
- Compositing
- 2024
Computer-Generated (7)
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AirPods – Quiet The Noise
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Free Nationals, Anderson .Paak, A$AP Rocky – Gangsta
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Starfield – Wild Imagination
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Accenture – Changing Tree
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Atomic
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Castrol – Hyspec
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
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Play Has No Limits feat. King Gnu
- Visual Effects
- Visual Effects
- Computer-Generated
- 2024
Practical Effects (4)
Use of AI (1)
Jury
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- Audrea Topps Harjo (President)
- Producer / Founder
- InclusionFX
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- Cody Amos
- Creative Director and Partner
- Heckler
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- Richard Fearon
- Colourist
- Black Kite Studios
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- Georgina Ford
- Lead compositor
- Selected Works
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- Mahmoud Ghali
- Founder/ VFX Supervisor
- Monkeys
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- Brigitte Marcinek (Round One Judge)
- Senior Producer
- Saatchi & Saatchi Germany
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- KARIM MIRA (Round One Judge)
- Founder & Senior Colourist
- Lzrd
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- Jaz Rongokea
- Head of Production
- The Mill New York
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- Mikaella Zarka
- VFX Post Producer
- Mathematic