Visual Effects Jury
- D&AD Awards 2022
Images, film or text manipulated or enhanced through digital, practical and in-camera effects. For commercial design, gaming and advertising projects.
Judges will prioritise craft over idea in this category.
NoneSubcategories
You can enter your work in the following subcategories.
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4101 - Colour Grading
The enhancement and alteration of colour in moving image work, including colour correction and artistic colour effects. -
4102 - Compositing
The combination of at least two visual elements, taken from separate sources and integrated into the same frame. -
4103 - Computer-Generated
Visual effects created with the help of computer software. Creature or character animation should be entered into the Animation category. -
4104 - Real-Time Rendering
Computer generated effects that are rendered so quickly, they appear to be produced in real time. Includes rendering carried out on-set, in video games and augmented/virtual reality experiences, for example. -
4105 - Practical Effects
Effects created on-set such as explosions, pyrotechnics, atmospheric effects, prosthetics, scale models and mechanised props/set design. Includes in-camera effects that are achieved by manipulating the camera or its parts. -
4106 - Music Videos
Visual effects for music videos, EPs and albums. Entries in this subcategory will be priced the same as the Music Videos category. Please refer to the Entry Fees on page XXX. -
4107 - Use of AI
Visual effects created with the use of AI technologies, for example deepfakes. -
4108 - Use of XR
The use of immersive technologies to extend reality and change the way brands interact with consumers. Includes the use of AR, VR or MR to blend real and virtual worlds, or the use of emerging technologies to create a fully immersive experience. -
4109 - Creative Use of Budget
Work that brings a creative idea to life, where the output exceeds expectations set by a low budget. Includes pro bono work. You will need to state the production budget and justify your reasons for entering here.
Colour Grading (5)
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Alzheimer’s ‘Dementia is Killing Me’
- Visual Effects
- Visual Effects
- Colour Grading
- 2022
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Klarna - Get Smoooth Again
- Visual Effects
- Visual Effects
- Colour Grading
- 2022
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Betway - I Bet It My Way
- Visual Effects
- Visual Effects
- Colour Grading
- 2022
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Born of a Dream – A Man of the Future
- Visual Effects
- Visual Effects
- Colour Grading
- 2022
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The Journey
- Visual Effects
- Visual Effects
- Colour Grading
- 2022
Compositing (3)
Computer-Generated (9)
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Chicharron Run
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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The Journey
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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The Spider and the Window
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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Churchill 'Slide'
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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SHEBA® - Hope Reef
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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Coop - "Frankie"
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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Electricity
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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The Taste of Reunion
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
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Universal Beijing
- Visual Effects
- Visual Effects
- Computer-Generated
- 2022
Music Videos (4)
Practical Effects (4)
Real-Time Rendering (1)
Jury
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- Mahmoud Ghali (President)
- Co-founder & Visual Effects Supervisor
- Monkeys
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- Meena Ayittey
- Film Director
- Great Guns
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- Eliana Carranza-Pitcher
- CCO & Executive Producer
- BaconX
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- Perry Fair
- Global ECD/Global Director of Entertainment
- McCann New York
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- Avril Furness
- Creative Director
- Furness Films
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- Martin Heigan
- Senior Technical Director
- Luma Animation
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- Rebekah King-Britton
- Head of CG
- Absolute Post
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- Vanessa Koscianski
- Managing Post Producer
- Freelance
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- Franck Lambertz
- Creative Director & VFX Supervisor
- The Mill