Animation Jury
- D&AD Awards 2024
Images, figures or text manipulated frame-by-frame for commercial design, gaming and advertising projects. Live performance work must include animation, otherwise it will not be eligible for this category. Judges will prioritise craft over idea in this category.
Subcategories
You can enter your work in the following subcategories.
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2001 - 2D Digital
Animation that involves creating or manipulating objects in a digital computer environment with a 2D finish. Typically for work that uses software to create animation that's drawn by hand or made using keyframes. -
2002 - 3D Digital
Animation that involves creating or manipulating objects in a digital computer environment with a 3D finish. Typically for work that uses 3D software to create animation, using keyframes, motion capture or virtual reality drawing, for example. -
2003 - Traditional
Animation that involves creating or manipulating physical objects by hand, typically using traditional, time-intensive techniques. For example cel animation, pen/ink on paper, stop motion, paint-on-glass, claymation. -
2004 - Motion Design
Stylised animation design that generates movement of 2D and 3D elements, including illustration and text. Includes typographic animation and photoreal textures, lighting and rendering. -
2005 - Characters & Creatures
Animation of characters, character models, avatars or creatures that are central to an idea. -
2006 - Mixed Media
Animation that crosses more than one medium, for example live-action animated films and puppetry. Live performance work must include animation, otherwise it will not be eligible for this category Puppet animation, whereby puppet figures are animated frame-by-frame, should be submitted into the Traditional subcategory. -
2007 - Use of XR
The use of immersive technologies to extend reality and change the way brands interact with consumers. Includes the use of AR, VR or MR to blend real and virtual worlds, and applications across web 3.0 and the metaverse. -
2008 - Use of AI / Emerging Technologies
Animation that involves the use of AI or other emerging technologies, for example in automations or to generate backgrounds and environments. -
2009 - Creative Use of Budget
Work that brings a creative idea to life, where the output exceeds expectations set by a low budget. Includes pro bono work. You will need to state the production budget and justify your reasons for entering here. If the work was done pro bono, you will need to state the total spend.
2D Digital (7)
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Change The Ending
- Animation
- Animation
- 2D Digital
- 2024
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Motoguo Spring Summer 2023 – Para-Pará Phantasia
- Animation
- Animation
- 2D Digital
- 2024
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ROLLiN' – Smooth
- Animation
- Animation
- 2D Digital
- 2024
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Starfield – The Settled Systems
- Animation
- Animation
- 2D Digital
- 2024
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PETA Pig Farm
- Animation
- Animation
- 2D Digital
- 2024
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Tales from the Track
- Animation
- Animation
- 2D Digital
- 2024
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Ticking Away by CRCR – Valorant
- Animation
- Animation
- 2D Digital
- 2024
3D Digital (4)
Characters & Creatures (5)
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Groene Bedoelingen – Green Intentions
- Animation
- Animation
- Characters & Creatures
- 2024
-
John Lewis – Snapper: The Perfect Tree
- Animation
- Animation
- Characters & Creatures
- 2024
-
Virgin Media – Goat Glider
- Animation
- Animation
- Characters & Creatures
- 2024
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Fuzzy Feelings
- Animation
- Animation
- Characters & Creatures
- 2024
-
WICK – Epic Breath
- Animation
- Animation
- Characters & Creatures
- 2024
Mixed Media (3)
Motion Design (3)
Traditional (7)
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Scuffing Song
- Animation
- Animation
- Traditional
- 2024
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Up in Smoke
- Animation
- Animation
- Traditional
- 2024
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Fuzzy Feelings
- Animation
- Animation
- Traditional
- 2024
-
Change The Ending
- Animation
- Animation
- Traditional
- 2024
-
PETA Pig Farm
- Animation
- Animation
- Traditional
- 2024
-
Square Eyed Boy
- Animation
- Animation
- Traditional
- 2024
-
The Seed
- Animation
- Animation
- Traditional
- 2024
Use of AI / Emerging Technologies (2)
Jury
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- Bart Yates (President)
- Founder / Executive Producer
- Blinkink
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- Juliane Ellrich
- Partner & Executive Producer
- Zauberberg Productions
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- Duncan Gaman
- Executive Producer
- Partizan
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- Ralph Karam (Round One Judge)
- Global Creative Director
- Le Cube
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- Siew May Khoo
- Art Director, Illustrator and Animator
- Jammm
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- Ng'endo Mukii (Round One Judge)
- Writer, Director, Professor
- Ng'endo Studios
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- Siqi Song
- Director
- Nexus Studios Los Angeles
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- Emilie Walmsley
- Head of Animation & Executive Producer
- Eddy
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- Jamie Watson
- Executive Creative Director
- Heckler