Entertainment Jury
- D&AD Awards 2023
Branded and brand-funded entertainment that people feel compelled to watch, seek out and share. Includes films, audio, apps, experiences and the use of immersive technologies to blend real and virtual worlds.
NoneSubcategories
You can enter your work in the following subcategories.
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5001 - Integrated
Fully integrated campaigns consisting of branded and brand-funded entertainment successfully executed across multiple platforms. For example online, press, TV and radio. -
5002 - Scripted Short Form
Scripted branded and brand-funded entertainment under 3 minutes long. Includes viral films, game-inspired films and interactive films. -
5003 - Scripted Long Form
Scripted branded and brand-funded entertainment over 3 minutes long. Includes viral films, game-inspired films and interactive films. -
5004 - Non-Scripted Short Form
Non-scripted branded and brand-funded entertainment under 3 minutes long. Includes reality/docu-reality shows, variety contests, game shows, awards and documentaries. -
5005 - Non-Scripted Long Form
Non-scripted branded and brand-funded entertainment over 3 minutes long. Includes reality/docu-reality shows, variety contests, game shows, awards and documentaries. -
5006 - Audio
Audio and musical content that integrates the brand into the script or composition. Includes live broadcasts and podcasts. Music Videos should be entered in the Music Videos category. -
5007 - Apps
Branded and brand-funded entertainment designed for mobile applications. Includes apps, integration of new app features and content designed to work with an app's algorithm or functionality. -
5008 - Experiential
Branded and brand-funded experience-led activations. Includes location-based entertainment, 4D films, multi-sensory experiences, events, concerts, festivals, use of AI and deep learning technology. Work that uses AR, VR or MR technology should be entered into the dedicated subcategories below. -
5009 - User Participation
Branded or brand-funded entertainment that invites customer or user submissions, or interacts with users in a secondary way. For example via second screen. -
5010 - Use of Micro-Talent & Influencers
Entertainment that uses micro-talent or micro-influencers – those with niche audiences or over 1,000 followers – to increase engagement and target specific markets. -
5011 - Use of Talent & Influencers
Entertainment that uses popular social media influencers or celebrities, usually with a following of 100,000+, to increase engagement and target specific markets. -
5012 - Use of AR
The use of Augmented Reality to enhance or create an entertainment experience in the real world, whereby an individual(s) can either view or participate through AR. For example a music performance, a play, a literary or narrative experience. -
5013 - Use of VR
Brand activations that use virtual reality (VR) to deliver an immersive experience in a fully virtual world. For example through the use of VR glasses or a headset. -
5014 - Use of MR
Brand activations that use mixed reality (MR) to deliver an experience where real and digital worlds combine and interact, creating new spaces and experiences, without the need for additional hardware on the user's part. For example, digital objects that respond to the user's behaviour in the physical world. -
5015 - Creative Use of Budget
Work that brings a creative idea to life, where the output exceeds expectations set by a low budget. Includes pro bono work. You will need to state the production budget and justify your reasons for entering here. If the work was done pro bono, you will need to state the total spend.
Experiential (1)
Integrated (2)
Non-Scripted Long Form (4)
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Hacking Google
- Entertainment
- Entertainment
- Non-Scripted Long Form
- 2023
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Super Surgeons: A Chance at Life
- Entertainment
- Entertainment
- Non-Scripted Long Form
- 2023
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Tribute to Virgil Abloh
- Entertainment
- Entertainment
- Non-Scripted Long Form
- 2023
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'Seven' Documentary
- Entertainment
- Entertainment
- Non-Scripted Long Form
- 2023
Scripted Long Form (5)
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Clash from the Past
- Entertainment
- Entertainment
- Scripted Long Form
- 2023
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Shot on iPhone 13 Pro - Those that Follow
- Entertainment
- Entertainment
- Scripted Long Form
- 2023
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Christmas Always Finds Its Way
- Entertainment
- Entertainment
- Scripted Long Form
- 2023
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Lil Dicky Quartertime Show
- Entertainment
- Entertainment
- Scripted Long Form
- 2023
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Uber Eats Presents - Don't Run Out
- Entertainment
- Entertainment
- Scripted Long Form
- 2023
Use of Talent & Influencers (5)
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Arby's x Pusha T Diss Tracks
- Entertainment
- Entertainment
- Use of Talent & Influencers
- 2023
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Buscapé. Back To The City Of God.
- Entertainment
- Entertainment
- Use of Talent & Influencers
- 2023
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Lil Dicky Quartertime Show
- Entertainment
- Entertainment
- Use of Talent & Influencers
- 2023
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The Ad You Stay In
- Entertainment
- Entertainment
- Use of Talent & Influencers
- 2023
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G'Day
- Entertainment
- Entertainment
- Use of Talent & Influencers
- 2023
User Participation (3)
Jury
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- Jimmy Smith (President)
- Chairman, CEO & CCO
- Amusement Park Entertainment
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- Niat Asfaw Graca
- General Manager
- Serviceplan Bubble
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- Reed Collins
- CCO APAC
- Ogilvy Hong Kong
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- Amélie Ebongué
- Global Brand Entertainment
- Amélie Ebongué
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- Sergio Gordilho
- CEO
- Africa São Paulo
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- Laura Gregory
- CEO
- Great Guns
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- Jayanta Jenkins
- SVP, Head of Marketing
- Virgin Galactic
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- Millicent Malcolm
- Film Director / Writer
- The Glue Society Studios